Showing posts with label lisa and becky. Show all posts
Showing posts with label lisa and becky. Show all posts

Monday, 11 June 2018

'Brave Nude World' and the World Naked Bike Ride

As someone who recently published a novel about a world in which public nudity is permitted under law, I thought I would write a short post here about an event, which takes place in cities all over the world, in which public nudity isn't just permitted, but is largely the norm - the World Naked Bike Ride (WNBR).

I've participated in the WNBR once, in London a few years ago, and I found it a mostly positive experience.  I'd do it again except my calendar never seems to align with the event, but maybe next year or after I will be back there.

The book Brave Nude World, and the social change that it depicts, was in part inspired by things like the WNBR. At the WNBR, you see people who might well balk at the prospect of being naked in public at any other time seeing the event and thinking, why not?  Either because they want to help support the ride's message, or simply because it would be a new experience to ride a bike naked through the streets of one of the world's major cities; the participants go outside the social norms and (hopefully) find something positive in that.

That concept inspired my writing because I wondered about the experiences of those who took part in the WNBR and went fully naked (not everyone does), having never done anything like that before. Were they inspired by others to join?  Were they fearful or uncomfortable?  And did that fear pass?  Did the experience prove enjoyable, and did it lead to them re-evaluating how they felt about being naked in front of others?

These ideas, in part, led to the character of Rachel in Brave Nude World, someone who has previously not ever considered behaviour as radical as going naked in public but, now in an environment where this is more acceptable and where others are doing it and enjoying it, opts to not be a bystander but a participant, and as a result changes her worldview.

That said, however, the fictional world of Brave Nude World would, perhaps, not be compatible with the message of the WNBR.

In Brave Nude World, the nudists want public nudity to be not just legal (which it becomes) but unremarkable.  "As normal as putting on a sweater on a cold day" is a phrase which the book uses often.  The normalisation of public nudity is a key theme of the book.

But an event such as the WNBR demands resistance to the idea of public nudity as "normal". In order for its message (calling for a world in which cyclists are more numerous and, crucially, safer, as a means to encourage an end to dependence on fossil fuels) to be heard, it must stand out from the norm.  That is why the cyclists ride nude.  Because naked people are not the norm, and it makes them difficult to ignore.

That's why I've always disputed the idea that the WNBR is a "naturist" event, an annexation some naturists attempt because, well, naked people are naked people (ignoring the reason why the WNBR riders are naked).  But just like the "nudies" in my novel, naturists promote the idea that being naked is completely normal. The WNBR relies on it not being.

Perhaps, then, the WNBR would be a better fit for one of my other characters: Becky in Best Friends With a Naked Girl

Becky would love the WNBR, because she could be naked in public with maximum enjoyment and zero negative repercussions.  In fact (spoiler for Best Friends With a Naked Girl ahead) I almost considered using the WNBR as the setting for the finale of Best Friends..., but ultimately decided it would be more fitting for the girls to take part in an event where the number of naked people was a lot fewer and they were therefore much more individually noticeable.

In the fictional world of the novel, I like to imagine Becky as one of those people who lines up every year, naked on her bike, having a great time. 

Perhaps she even takes part in multiple events around the country where she can? And why not? Just as long as she doesn't drive to them - I genuinely have a huge objection to "naturists" driving in cars to London or Brighton in order to participate in a protest against reliance on cars, just so they can be nude in a public place. Take the train guys!

Brave Nude World and Best Friends With a Naked Girl are available on Amazon Kindle now.

Tuesday, 27 February 2018

Covered Up

Don't judge a book by it's cover, they say.  Unless it's actually a real book and not a metaphorical one, in which case the cover is actually quite important.

My debut novel, Best Friends With a Naked Girl, has a brand new cover, courtesy of a wonderful illustrator (Danielle aka CYNVII) whom I commissioned to draw it.

The process of working with someone else to create a book cover was a new one to me.  My writing has always been a solo venture: from the days when I first joined Literotica, to putting my book up for sale, I never talked about my work with anyone else. 

Funnily enough, as I was contemplating this post, I read about fantasy author Terry Goodkind, his dissatisfaction with the cover of his latest book as arranged by his publisher, and the fallout over his very public and pointed criticism of the cover, which unsurprisingly came across a lot like a mean-spirited attack on the illustrator, who was only following the brief given to them by the publisher.

Luckily, as a self-published author, I never had a publisher; my communication was direct with the illustrator.  They were not someone from the world of erotic fiction and, as far as I know (I've never asked, but one assumes...) had no interest in the specific themes of my writing which are, let's face it, pretty niche even in erotica.  But, they did illustration for money, were fine with doing somewhat NSFW art, and most importantly to me, had a style that I really liked.

That was the reason that, when I published Best Friends... back in January, it had a quite different cover.  I'd always wanted the book to have an illustrated cover. I'm a huge fan of Terry Moore's Strangers in Paradise comic series, (which definitely inspired me to write stories about women with complicated, non-heteronormative love lives despite being a straight Cis male).  I was in love with Moore's art style and the simple character-showcasing covers of the collected editions I own, and wanted something similar for my own work.

I also wanted something that would mark my book out as something a little different in the world of erotica.  A lot of erotic novels have covers that are quite similar (not quite this bad but definitely following a theme), using photographs of ladies in sexy lingerie or shirtless, handsome hunks, for a generic "this book has sex in it" message.  There's nothing wrong with those sorts of covers, they are kind of a classic, and many self-published authors have only limited options to create their book covers - not everyone wants to pay a graphic designer, after all, especially for a book that might only sell 100-200 copies across its entire lifetime.

But the sexy lingerie girl didn't, in my head, fit with what I wanted to suggest my book was about.  Sure, there is a buttload of nudity, masturbation, and sex both straight and lesbian.  But it's also supposed to be a cute, funny and ultimately romantic story about two chalk-and-cheese girls who find common ground and, maybe love.  I wanted my characters, having a good time, front and centre and the only way I could imagine achieving that was to draw them.

Only problem was, as an author who had never self-published a book before, I didn't have the first clue about creating a cover.  I tried my hand at doing my own (I'm not a terrible artist, I did a few album covers and t-shirts for bands back in the day) but I didn't have the necessary skill or software.  I tried approaching artists I admired who already drew work with erotic or nudist themes: all of these had their own projects which they were passionately committed to, and did not want to take on commission work.

I was very keen to publish, though, so I ended up knocking up a cover using Amazon's own app that it offers as part of the Kindle Direct Publishing service.  It did the job - fortunately I'd been able to find a photo that conveyed some of the spirit of fun I saw in my work - but it wasn't what I really wanted. 

Plus, it was a little too NSFW for the e-book retailers.  A downside to writing erotica is that if you make everything sound or look too sexy, the people who sell it will get cold feet - but if you make it completely sexless, nobody will take an interest.

Now, admittedly my image choice (a clothed blonde grabbing a naked brunette's breasts from behind) was a little across the line, but I hoped that, because there weren't any visible nipples or genitals, I'd be able to get away with it.

Of course, I didn't.  Smashwords rejected me for premier status (meaning my book would only be sold through their website, it wouldn't be put out to other retailers like Barnes & Noble) and over on Amazon, while you could still buy my book, it wasn't going to turn up in most searches unless the person doing the searching had disabled the site's ever-present adult filter. Some (clumsy) editing later, Smashwords were happy, but I was left wondering why I was insisting on having such a risque cover, when it wasn't even the cover I really wanted in the first place.

So I went back to looking for illustrators, and through the art community DeviantArt I found Danielle.  They had done a commission a couple of years back that was very Strangers in Paradise and their more recent work had a really awesome mix of stylised cartooning and physical realism which I felt was perfect.

Fortunately, unlike Terry Goodkind I was in full control of what was being commissioned, I gave Danielle a very detailed description of what I wanted, including how I had pictured the characters - I even included a photo I had seen that showed the sort of pose I had in mind. Danielle sent me drafts for approval and I made any changes I asked for (which weren't many, mostly it was just Becky's skin tone) and the overall experience was very positive. 

And the result speaks for itself.  I'm really happy with it and while I know it won't be everybody's cup of tea (I'm sure there are some readers who preferred the old cover) it's definitely different to what's on the front of most of the erotic and nudist fiction I see on the book retail sites.

If there's anything I would take away from this process, it's that things run smoothly when you show respect to the artist that you are asking to do the work.  Danielle, contacted by a random chap who wanted them to illustrate a self-published erotic novel, could have told me to get stuffed (or, more likely, just deleted my email) - instead, they were happy to work with me; and I like to think that part of that was because I didn't come across like a terrible pervert in my contact with them (in spite of the fact that I am actually a terrible pervert).

Secondly, show respect but also, pay them.  Unless a person offers to work for free, don't expect them to.  I was clear from the start with my illustrator that I knew I was to be a paying customer, that I was interested in their work but also needed to know the cost of that work and, once it was confirmed this was something that was affordable to me, I was in agreement that I would pay, and pay on their schedule and terms.  If you enter into an agreement that an artist is going to produce work for you for money, give them the money you agreed (unless they don't deliver the work, of course).  There is an element of trust involved, and I'm sure some artists have let clients down, but far more what I hear is artists explaining how they have been told that they should work for free because they can get "experience" and "boost their profile", which should be better than any financial reward.

It's true some artists may choose to work gratis in return for the experience, in order to improve their skills or make a name for themselves with prospective future clients - but that is down to the artist to choose to do that, you can't act as though you have a right, as the person commissioning them, to expect they will give their time and energy for you and expect nothing in return except that some people might see their work and think of hiring them.  Once again, if they don't offer to work for free, don't ask them to.

I'm hoping Danielle will be able to illustrate the cover of future novels I will publish, but if they aren't able to, I will look for another illustrator and whoever I work with, I will remember those two things - treat them with respect, and pay them what you owe.

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Best Friends With a Naked Girl can be bought as an e-book from Amazon, Smashwords or Barnes & Noble.

Thursday, 4 January 2018

'Best Friends with a Naked Girl' is now available

If you've enjoyed my fiction and come to this blog because erotica themed around exhibitionism, public nudity and nudism appeal to you, I have good news - you can now read my very first complete novel, available to buy on Amazon Kindle for the low, low price of $2.98 (about £2.21).

You'll find it on sale here:
'Best Friends with a Naked Girl' by A D Rowen on Amazon Kindle

If you'd told me at the start of 2017 that about 12 months into the future I would have an entire novel written and published (even self-published on Amazon Kindle), I would never have believed you.

I've tried before to write novels.  Non-erotic ones, these, since I was maybe 16 years old.  I've deliberately sat down at my computer, made lists of characters, plotted out what is going to happen, written a few hundred or even a few thousand words... then gotten bored, bored of filling in the necessary plot between the few scenes I had imagined in my head.  My approach to writing long-form fiction was a little like making a film trailer from a film that didn't exist - everything looked very cool but there was nothing of substance behind it.

So how did it come to be easier to write an erotic novel?

Well for a start, my book is hardly an epic.  At about 300 pages, it's the "right" length for a decent read, but it's hardly The Lord of the Rings.  By curtailing my ambitions for something more achievable, I managed to overcome the sense of being daunted by how much there was still to do, which I always found put me right off the experience.

Also, I never deliberately set out to write a novel.

'Best Friends...', as I may have mentioned, began as my first ever sequence of short erotic stories, the 'Lisa & Becky' series.  The idea had come to me to tell the story of an exhibitionist and her friend, who wasn't.  I'd enjoyed stories about exhibitionism, public nudity, and the CFNF (clothed female/nude female) trope, but I wanted to put my own twist on those themes, and focus not on the exhibitionist herself, but tell her adventures through the eyes of a friend whom she had managed to rope into being a bit of an accomplice to her developing kink.

As the idea evolved it became apparent to me that things would be more amusing and fun to read if the two protagonists had some unresolved sexual tension, that was going to be exacerbated by the fact that Becky was always taking her clothes off in places where she shouldn't.  So, in a way, it became both a story about exhibitionism, and also about a young woman developing a very real crush on her best friend, and all the emotional baggage that might entail.

I'd already got too much material for one story - I planned for the two girls to have a series of adventures - but I never envisaged it as a novel.  Instead I was interested in publishing the stories on the website Literotica, and I favoured a model there where the stories can be read as individual ones, but are also part of an overall sequence.

So part one had Becky and Lisa going camping, part two had them doing other stuff (such as Becky stripping off in the cinema) and then I'd planned a part three where the two would meet up at university and more exhibitionist fun would ensue.

That was as far as I got.  My ambition outstripped my ability and I quickly found it hard to feel enthusiasm for the characters, who seemed stuck in a bit of a loop and not a happy one.  Part three never got published, and I'd no idea where they would go in part 4 and how long I wanted to drag this nonsense out for.

Flash forward a year.  I'd written some other stories on Literotica, singular short stories about exhibitionism, public nudity and naughty nudists, which had been well received and which I had enjoyed writing.  I decided to try and come up with a longer story, which as time went on, crossed the finish line first for novella and then full-length novel.

That novel was called... 'Brave Nude World', about a version of our world in which public nudity becomes legally permitted but is not yet fully socially-acceptable, and it will be out later in 2018!

But what of Becky and Lisa.  Well, confidence given a boost by the feedback I'd been getting and by the fact that I'd actually managed to write something long enough to be called a novel, I decided to go back to my earliest work with renewed enthusiasm - and no small amount of changes I wanted to make.

Gone was Lisa's narration which, while fun, forced the action to take place only when she was around and with frequent and repetitive intrusions from her own psyche.  Instead I opted for still telling the story from Lisa's point of view, but in third person, giving me chance to divert away to other things happening (such as the prologue chapter, which tells the story of an encounter with the girls from the point of view of a third party, or very late in the book, which relays an experience of public nakedness from Becky's point of view).

Gone too was the notion that Lisa was constantly embarrassed and/or exasperated with Becky.  While that had been fine as an initial concept, in practice it just led to stories where the two were practically on the verge of falling out - especially because it made it seem as though Becky was always incredibly self-interested and oblivious to her friend's discomfort.

In this new version, Lisa actively encouraged Becky in many ways, only becoming doubtful when she feared their activities might have gone too far (and this was something Becky acknowledged too, making her more aware of how her exhibitionism might affect others).

Those two major changes helped inspire me to write a great deal more of the girls' adventures, now flowing together in a much more natural way and, before I knew it, I had a novel on my hands, and no difficulty taking it towards a natural conclusion.

So it seems that I might not be a great novelist on purpose, but I can accidentally at least come up with something I'm proud to put my (pen) name to and enjoyed creating!